sounds:disting_ex

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sounds:disting_ex [2023-10-03 21:50] – asdfsounds:disting_ex [2023-10-25 01:10] (current) – added I/O for G- algorithms asdf
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 ==== A-1: Precision adder ==== ==== A-1: Precision adder ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | Input $X$ | 
-^ Y |  | +^ Y | Input $Y$ | 
-^ Z |  |+^ Z | Determines $offset$ |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | $X + Y + offset$ or $X + offset$ | 
-^ B |  |+^ B | $X - Y - offset$ or $Y \pm offset$ |
  
 ==== A-2: Four quadrant multiplier ==== ==== A-2: Four quadrant multiplier ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | Input $X$ | 
-^ Y |  | +^ Y | Input $Y$ | 
-^ Z |  |+^ Z | Determines $scale$ |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | $X\cdot Y\cdot scale$ | 
-^ B |  |+^ B | $-X\cdot Y\cdot scale$ |
  
 ==== A-3: Full-wave rectifier ==== ==== A-3: Full-wave rectifier ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | Input $X$ | 
-^ Y |  | +^ Y | Input $Y$ | 
-^ Z |  |+^ Z | Selects mode |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | $\lvert X+Y\rvert$ or $\lvert X\rvert$ | 
-^ B |  |+^ B | $\lvert X-Y\rvert$ or $\lvert Y\rvert$ | 
 + 
 +Available modes are "independent" (Z negative?) and "combination" (Z positive?). 
  
 ==== A-4: Minimum/maximum ==== ==== A-4: Minimum/maximum ====
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 ^ Inputs ^^ ^ Inputs ^^
-^ X | input X | +^ X | input $X$ | 
-^ Y | input Y |+^ Y | input $Y$ |
 ^ Z | gate | ^ Z | gate |
 ^ Outputs ^^ ^ Outputs ^^
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 ==== A-6: Quantizer ==== ==== A-6: Quantizer ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | input $X$ | 
-^ Y |  | +^ Y | transpose (Z positive) or trigger (Z negative) | 
-^ Z |  |+^ Z | selects scale & function of Y |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | $quantized(X)$ | 
-^ B |  |+^ B | trigger on note change |
  
 ==== A-7: Comparator ==== ==== A-7: Comparator ====
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 ==== A-8: Dual waveshaper ==== ==== A-8: Dual waveshaper ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | input $X$ | 
-^ Y |  | +^ Y | input $Y$ | 
-^ Z |  |+^ Z | gain |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | $shaped(X)$ | 
-^ B |  |+^ B | $shaped(Y)$ | 
 + 
 +Each channel can use one of two waveshaping functions: wavefolder (0) or triangle-to-sine (1). 
  
 ==== B-1: Sample and hold ==== ==== B-1: Sample and hold ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | input $X$ | 
-^ Y |  | +^ Y | trigger | 
-^ Z |  |+^ Z | slew rate; press for sampling |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | $A=X$ when $Y\geq 1V$ | 
-^ B |  |+^ B | noise ($\pm 8V$) |
  
 ==== B-2: Slew rate limiter ==== ==== B-2: Slew rate limiter ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | input $X$ | 
-^ Y |  | +^ Y | input $Y$ | 
-^ Z |  |+^ Z | slew rate |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | $limited(X+Y)$ or $limited(X)$ | 
-^ B |  |+^ B | $limited(X+Y)$ or $limited(Y)$ |
  
 ==== B-3: Pitch and envelope tracker ==== ==== B-3: Pitch and envelope tracker ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | input $X$ | 
-^ Y |  | +^ Y | input $Y$ | 
-^ Z |  |+^ Z | envelope slew rate |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | V/octave pitch derived from $X$, plus $Y$ | 
-^ B |  |+^ B | envelope derived from $X$ |
  
 ==== B-4: Clockable delay/echo ==== ==== B-4: Clockable delay/echo ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | input $X$ | 
-^ Y |  | +^ Y | clock in | 
-^ Z |  |+^ Z | feedback |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | depends on mode | 
-^ B |  |+^ B | depends on mode |
  
 ==== B-5: LFO ==== ==== B-5: LFO ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | Hz/V frequency | 
-^ Y |  | +^ Y | waveshape | 
-^ Z |  |+^ Z | tune |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | saw -> sine -> triangle | 
-^ B |  |+^ B | pulse -> square -> pulse |
  
 ==== B-6: Clockable LFO ==== ==== B-6: Clockable LFO ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | clock in | 
-^ Y |  | +^ Y | waveshape | 
-^ Z |  |+^ Z | clock multiplier/divider |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | saw -> sine -> triangle | 
-^ B |  |+^ B | pulse -> square -> pulse |
  
 ==== B-7: VCO with linear FM ==== ==== B-7: VCO with linear FM ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | V/octave | 
-^ Y |  | +^ Y | linear FM | 
-^ Z |  |+^ Z | tune $\pm 0.5$ octaves |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | selectable output waveform | 
-^ B |  |+^ B | selectable output waveform | 
 + 
 +The waveforms of outputs A and B can be independently set. Options are triangle, sine, square, saw, sub-octave square, and MIDI gate.
  
 ==== B-8: VCO with waveshaping ==== ==== B-8: VCO with waveshaping ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | V/octave | 
-^ Y |  | +^ Y | waveshape/PWM | 
-^ Z |  |+^ Z | tune $\pm 0.5$ octaves or sync |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | selectable output waveform | 
-^ B |  |+^ B | selectable output waveform | 
 + 
 +As with the preceding algorithm, output waveforms A and B can be set independently. Waveform A options are triangle/saw, triangle/saw, square/pulse, triangle/saw, and square/pulse; waveform B options are square/pulse, sub-octave square, sub-octave/square, MIDI gate, and MIDI gate. The reason for the duplicates is unclear. 
  
 ==== C-1: Counter ==== ==== C-1: Counter ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | clock in | 
-^ Y |  | +^ Y | reset in | 
-^ Z |  |+^ Z | (press) resets to step 1 |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | clock out | 
-^ B |  |+^ B | clock out | 
 + 
 +Not what I would call a counter; rather, it's an external reset generator for sequencers without a reset input. An internal step counter is maintained, and when a trigger is received on input Y, the module generates a rapid burst of extra clocks.  
 + 
 +I wonder if I could use this as a trigger multiplier. What happens if I press Z to reset the internal count and then send a reset signal? 
  
 ==== C-2: Voltage-controlled delay line ==== ==== C-2: Voltage-controlled delay line ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | audio input | 
-^ Y |  | +^ Y | delay time | 
-^ Z |  |+^ Z | feedback (bipolar) |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | delay output | 
-^ B |  |+^ B | (50-50?) wet/dry mix  |
  
 ==== C-3: Clockable ping-pong delay (Z feedback) ==== ==== C-3: Clockable ping-pong delay (Z feedback) ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | audio input | 
-^ Y |  | +^ Y | clock in | 
-^ Z |  |+^ Z | feedback |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | left output | 
-^ B |  |+^ B | right output |
  
 ==== C-4: Clockable ping-pong delay (Z input pan) ==== ==== C-4: Clockable ping-pong delay (Z input pan) ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | audio input | 
-^ Y |  | +^ Y | clock in | 
-^ Z |  |+^ Z | input pan |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | left output | 
-^ B |  |+^ B | right output |
  
 ==== C-5: Resonator ==== ==== C-5: Resonator ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | audio or trigger input | 
-^ Y |  | +^ Y | center frequency (V/octave) | 
-^ Z |  |+^ Z | gain; (press) strike |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | audio output | 
-^ B |  |+^ B | envelope of audio output | 
 + 
 +Can be used either as a filter or as an analog drum synth. In the latter case, input X should be a trigger rather than audio.  
 + 
 +The 0 V point for the pitch is C3 (130.81 Hz). 
  
 ==== C-6: Vocoder ==== ==== C-6: Vocoder ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | modulator input | 
-^ Y |  | +^ Y | carrier input | 
-^ Z |  |+^ Z | decay time |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | audio output | 
-^ B |  |+^ B | envelope output | 
 + 
 +Use low Z (negative) for most intelligible speech. 
  
 ==== C-7: Phaser ==== ==== C-7: Phaser ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | audio input | 
-^ Y |  | +^ Y | sweep  | 
-^ Z |  |+^ Z | feedback (bipolar) |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | (50-50?) wet/dry mix | 
-^ B |  |+^ B | phase-shifted signal |
  
 ==== C-8: Bit crusher ==== ==== C-8: Bit crusher ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | signal input | 
-^ Y |  | +^ Y | sample rate or R input if stereo | 
-^ Z |  |+^ Z | bit reduction |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | signal output | 
-^ B |  |+^ B | comparator or R output if stereo | 
 + 
 +Two bit reduction options are available, set by Z: in type I, the input is converted to a 16-bit word and the lower bits dropped; in type II, the input is integer divided by a given factor.  
 + 
 +When Z is negative, negative inputs are flipped positive, processed, and flipped back. Reduction types can be set separately for positive and negative portions of the input cycle. 
  
 ==== D-1: DJ filter ==== ==== D-1: DJ filter ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | L input | 
-^ Y |  | +^ Y | R input | 
-^ Z |  |+^ Z | filter cutoff |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | L output | 
-^ B |  |+^ B | R output |
  
 ==== D-2: Tape delay ==== ==== D-2: Tape delay ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | audio input | 
-^ Y |  | +^ Y | tape speed | 
-^ Z |  |+^ Z | feedback |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | output according to mode | 
-^ B |  |+^ B | output according to mode | 
 + 
 +The Y voltage-to-speed is scaled like so: -4 V = 1/2 speed, 0 V = 1x speed, and +8 V = 2x speed.  
 + 
 +Outputs can follow one of three modes, selected by parameter 3: 
 + 
 +  * A is mix, B is delay only 
 +  * A and B are mix 
 +  * A and B are delay only
  
 ==== D-3: Waveform animator ==== ==== D-3: Waveform animator ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | audio input | 
-^ Y |  | +^ Y | threshold | 
-^ Z |  |+^ Z | separation |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | animated output | 
-^ B |  |+^ B | square waves output |
  
 ==== D-4: State-variable filter ==== ==== D-4: State-variable filter ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | audio input | 
-^ Y |  | +^ Y | cutoff frequency | 
-^ Z |  |+^ Z | filter type |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | filtered output (LP->BP->HP) | 
-^ B |  |+^ B | filtered output (HP->BP->LP) |
  
 ==== D-5: LP/HP filter ==== ==== D-5: LP/HP filter ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | audio input | 
-^ Y |  | +^ Y | filter cutoff | 
-^ Z |  |+^ Z | filter resonance |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | LPF output | 
-^ B |  |+^ B | HPF output |
  
 ==== D-6: LP/BP filter ==== ==== D-6: LP/BP filter ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | audio input | 
-^ Y |  | +^ Y | filter cutoff | 
-^ Z |  |+^ Z | filter resonance |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | LPF output | 
-^ B |  |+^ B | BPF output | 
  
 ==== D-7: BP/HP filter ==== ==== D-7: BP/HP filter ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | audio input | 
-^ Y |  | +^ Y | filter cutoff | 
-^ Z |  |+^ Z | filter resonance |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | BPF output | 
-^ B |  |+^ B | HPF output | 
  
 ==== D-8: BP/notch filter ==== ==== D-8: BP/notch filter ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | audio input | 
-^ Y |  | +^ Y | filter cutoff | 
-^ Z |  |+^ Z | filter resonance |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | BPF output | 
-^ B |  |+^ B | notch filter output |
  
 ==== E-1: AR envelope ==== ==== E-1: AR envelope ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | trigger input | 
-^ Y |  | +^ Y | trigger input | 
-^ Z |  |+^ Z | envelope times; (press) trigger |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | envelope output | 
-^ B |  |+^ B | envelope output | 
 + 
 +This is not a dual envelope generator; a trigger received on either X or Y will cause both A and B to output the same envelope. However, each can be attenuverted separately via parameters 2 and 3. With parameter 2 set to 41, output A becomes an end-of-cycle trigger (10 ms at 5 V).  
 + 
 +Trigger mode (parameter 0) sets the envelope type. In trigger mode 0, the envelope will rise and stay high as long as the trigger is high (AR). In trigger mode 1, the envelope will decay immediately after the attack (AD). In trigger mode 2, the envelope will continually complete attack/decay cycles as long as the trigger is high (looped AD). Think the gate, trigger, and loop modes of the [[.:Pip Slope]], respectively.
  
 ==== E-2: AR envelope & VCA ==== ==== E-2: AR envelope & VCA ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | trigger input | 
-^ Y |  | +^ Y | VCA (signal) input | 
-^ Z |  |+^ Z | envelope times; (press) trigger |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | envelope output | 
-^ B |  |+^ B | VCA output | 
 + 
 +Trigger modes (parameter 0) 0--2 are as in [[#E-1: AR envelope]]. These are repeated for modes 3--5 and 6--8 except the trigger source is taken from the tracked envelope of input X and input Y, respectively. 
  
 ==== E-3: Dual AR envelope ==== ==== E-3: Dual AR envelope ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | trigger A | 
-^ Y |  | +^ Y | trigger B | 
-^ Z |  |+^ Z | envelope times; (press) trigger) |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | envelope A | 
-^ B |  |+^ B | envelope B | 
 + 
 +Unlike [[#E-1: AR envelope]], this algorithm generates two independently-triggered envelopes. Though they share timing, trigger mode, and attack and release shapes, their attenuversion and offsets can be set separately.  
 + 
 +Trigger modes are the same as for [[#E-1: AR envelope]]. 
  
 ==== E-4: Stereo compressor ==== ==== E-4: Stereo compressor ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | L input | 
-^ Y |  | +^ Y | R input | 
-^ Z |  |+^ Z | compression ratio |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | L output | 
-^ B |  |+^ B | R output |
  
 ==== E-5: Sidechain compressor ==== ==== E-5: Sidechain compressor ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | L input | 
-^ Y |  | +^ Y | R input | 
-^ Z |  |+^ Z | side-chain input |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | L output | 
-^ B |  |+^ B | R output | 
 + 
 +If input Z is audio, the Z knob should be set to center. 
  
 ==== E-6: Mono compressor ==== ==== E-6: Mono compressor ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | audio input | 
-^ Y |  | +^ Y | side-chain input | 
-^ Z |  |+^ Z | compression ratio |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | audio output | 
-^ B |  |+^ B | gain reduction output |
  
 ==== E-7: Euro to Buchla converter ==== ==== E-7: Euro to Buchla converter ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | V/octave | 
-^ Y |  | +^ Y | gate in | 
-^ Z |  |+^ Z | tune $\pm 0.5$ octaves |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | 1.2 V/octave output | 
-^ B |  |+^ B | gate/trigger output |
  
 ==== E-8: Buchla to Euro converter ==== ==== E-8: Buchla to Euro converter ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | 1.2 V/octave input | 
-^ Y |  | +^ Y | gate/trigger input | 
-^ Z |  |+^ Z | tune $\pm 0.5$ octaves |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | 1 V/octave output | 
-^ B |  |+^ B | trigger output |
  
 ==== F-1: Clockable AD envelope (with mute) ==== ==== F-1: Clockable AD envelope (with mute) ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | clock in | 
-^ Y |  | +^ Y | mute in | 
-^ Z |  |+^ Z | envelope shape |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | envelope output | 
-^ B |  |+^ B | envelope output | 
 + 
 +Z varies the envelope shape from short-attack/long-decay to long-attack/short-decay. A and B output the same envelope but can be attenuverted separately. 
  
 ==== F-2: Clockable AD envelope (with gate) ==== ==== F-2: Clockable AD envelope (with gate) ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | clock in | 
-^ Y |  | +^ Y | gate in | 
-^ Z |  |+^ Z | envelope shape |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | envelope output | 
-^ B |  |+^ B | envelope output | 
 + 
 +The envelope is looped once per clock cycle as long as the gate is high. 
  
 ==== F-3: Clockable AD envelope (with trigger) ==== ==== F-3: Clockable AD envelope (with trigger) ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | clock in | 
-^ Y |  | +^ Y | trigger in | 
-^ Z |  |+^ Z | envelope shape |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | envelope output | 
-^ B |  |+^ B | envelope output |
  
 ==== F-4: Clockable AD envelope & VCA ==== ==== F-4: Clockable AD envelope & VCA ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | clock in | 
-^ Y |  | +^ Y | VCA (signal) in | 
-^ Z |  |+^ Z | envelope shape |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | envelope output | 
-^ B |  |+^ B | VCA output |
  
-==== F-5: Shift register (random CVs) ====+The envelope is continuously output on each clock cycle. 
  
 +==== F-5: Shift register (random CVs) ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X | clock | +^ X | clock in | 
-^ Y | modify CV |+^ Y | modify |
 ^ Z | randomness | ^ Z | randomness |
 ^ Outputs ^^ ^ Outputs ^^
 ^ A | unipolar output | ^ A | unipolar output |
 ^ B | bipolar output or trigger | ^ B | bipolar output or trigger |
 +
  
 ==== F-6: Shift register (quantized CVs) ==== ==== F-6: Shift register (quantized CVs) ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | clock in | 
-^ Y |  | +^ Y | modify | 
-^ Z |  |+^ Z | randomness |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | quantized CV | 
-^ B |  |+^ B | trigger output |
  
 ==== F-7: Shift register (triggers) ==== ==== F-7: Shift register (triggers) ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | clock in | 
-^ Y |  | +^ Y | modify | 
-^ Z |  |+^ Z | randomness; (press) modify sequence) |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | trigger on high bit | 
-^ B |  |+^ B | trigger on low bit |
  
 ==== F-8: Shift register (dual triggers) ==== ==== F-8: Shift register (dual triggers) ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | clock in | 
-^ Y |  | +^ Y | modify | 
-^ Z |  |+^ Z | randomness |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | trigger A | 
-^ B |  |+^ B | trigger B |
  
 ==== G-1: ES-1 emulation ==== ==== G-1: ES-1 emulation ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | input $X$ | 
-^ Y |  | +^ Y | input $Y$ | 
-^ Z |  |+^ Z | trim |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | output A | 
-^ B |  |+^ B | output B |
  
 ==== G-2: ES-2 emulation ==== ==== G-2: ES-2 emulation ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | input $X$ | 
-^ Y |  | +^ Y | input $Y$ | 
-^ Z |  |+^ Z | trim |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | output A | 
-^ B |  |+^ B | output B |
  
 ==== G-3: Pitch reference ==== ==== G-3: Pitch reference ====
Line 518: Line 568:
 ^ X | n/a | ^ X | n/a |
 ^ Y | n/a | ^ Y | n/a |
-^ Z | output amplitude |+^ Z | output amplitudes |
 ^ Outputs ^^ ^ Outputs ^^
 ^ A | sine output | ^ A | sine output |
Line 525: Line 575:
 ==== G-4: Frequency reference ==== ==== G-4: Frequency reference ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | n/a | 
-^ Y |  | +^ Y | n/a | 
-^ Z |  |+^ Z | output amplitudes |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | sine output | 
-^ B |  |+^ B | square output |
  
 ==== G-5: Tuner ==== ==== G-5: Tuner ====
Line 545: Line 595:
 ==== G-6: Clock ==== ==== G-6: Clock ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | clock in | 
-^ Y |  | +^ Y | run/stop input | 
-^ Z |  |+^ Z | ratchet; (press) start/stop or tap tempo | 
 +^ MIDI | yes |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | clock out | 
-^ B |  |+^ B | clock out | 
 +^ MIDI | yes |
  
 ==== G-7: MIDI/CV ==== ==== G-7: MIDI/CV ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | n/a | 
-^ Y |  | +^ Y | n/a | 
-^ Z |  |+^ Z | n/a |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | pitch CV | 
-^ B |  |+^ B | gate |
  
 ==== G-8: CV/MIDI ==== ==== G-8: CV/MIDI ====
 ^ Inputs ^^ ^ Inputs ^^
-^ X |  | +^ X | pitch CV | 
-^ Y |  | +^ Y | gate | 
-^ Z |  |+^ Z | mod wheel or velocity CV |
 ^ Outputs ^^ ^ Outputs ^^
-^ A |  | +^ A | X | 
-^ B |  |+^ B | Y |
  
 ==== H-1: Crossfade/pan ==== ==== H-1: Crossfade/pan ====
  • sounds/disting_ex.1696369810.txt.gz
  • Last modified: 2023-10-03 21:50
  • by asdf